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ATR4650-USBThe ATR4650-USB is a small condenser boundary microphone that is convenient for podcasting, video- and teleconferencing, and casual recording applications, such as meetings, conversations, and note-taking. The microphone features an omnidirectional pickup pattern to provide full 360° coverage. Its 1.8 m (6') cable is terminated with a USB-C connector and comes with a USB-C to USB-A adapter, allowing you to connect to the USB input on computers, tablets, smartphones, and other devices. With its integral clothing clip, the ATR4650-USB can also be used as a lapel mic. Or it can be snapped into the included slim-profile monitor mount and affixed to a computer monitor or other surface.

The MKH 800 TWIN is a universal studio condenser microphone of exceptional quality. It includes a dual capsule consisting of two symmetrical push-pull transducers with high linearity. This is a "side fire" microphone with the two cardioid pick-up patterns of the transducer aligned back-to-back across the axis of the microphone. The signals of both transducers are not combined in the microphone in order to generate differing pick-up patterns but are available separately as two channels at the microphone output. This allows the pick-up patterns of the MKH 800 TWIN to be remotely adjusted. The signals can be combined in any desired way in the mixing console in order to create all pick-up patterns from omni-directional to figure-8 with an infinite number of intermediate stages. Based on the legendary MKH 800, this microphone opens up to a new dimension of studio recordings.-Color: Nickel-The remote adjustability and the variable pick-up patterns make the MKH 800 TWIN a universal main microphone, soloist microphone or supporting microphone.-The pick-up patterns can be set and optimised under monitoring conditions. In other words, it is not necessary to fix the pick-up patterns definitively before recording.-A wide range of mixes for stereo and surround are possible (including in parallel).-Saving of the microphone signals in two channels also allows an unlimited range of mixes to be realised at a later date.-The high sensitivity ensures interference-free signal paths as a result of high signal levels. The inherent noise of downstream microphone amplifiers is thus of minor importance.-Very low inherent noise prevents the masking of filigree sound structures. The depth of the acoustic can be heard more clearly too.-High linearity of the transducers minimises the signal distortions and ensures the transparency of the sound even at high sound levels.-The frequency response extends to 50 kHz, thus improving the resolution for complex acoustic details.-Stable pick-up patterns minimise sound distortion in the direct and diffuse field.-Negative acoustic effects caused by the housing and the sound inlet basket are minimised.-The small, slim design and the optionally dark housing design (Nextel) make it visually unobtrusive.What's in the Box : MKH 800 TWIN studio condenser microphone MZQ 80 microphone clamp MZS80 shock mount AC 20 adaptor cable (1 x XLR-5 socket to 2 x XLR-3 connector) User manual Aluminium transport case

The MKH 800 TWIN is a universal studio condenser microphone of exceptional quality. It includes a dual capsule consisting of two symmetrical push-pull transducers with high linearity. This is a "side fire" microphone with the two cardioid pick-up patterns of the transducer aligned back-to-back across the axis of the microphone. The signals of both transducers are not combined in the microphone in order to generate differing pick-up patterns but are available separately as two channels at the microphone output. This allows the pick-up patterns of the MKH 800 TWIN to be remotely adjusted. The signals can be combined in any desired way in the mixing console in order to create all pick-up patterns from omni-directional to figure-8 with an infinite number of intermediate stages. Based on the legendary MKH 800, this microphone opens up to a new dimension of studio recordings.-Color: Nickel-The remote adjustability and the variable pick-up patterns make the MKH 800 TWIN a universal main microphone, soloist microphone or supporting microphone.-The pick-up patterns can be set and optimised under monitoring conditions. In other words, it is not necessary to fix the pick-up patterns definitively before recording.-A wide range of mixes for stereo and surround are possible (including in parallel).-Saving of the microphone signals in two channels also allows an unlimited range of mixes to be realised at a later date.-The high sensitivity ensures interference-free signal paths as a result of high signal levels. The inherent noise of downstream microphone amplifiers is thus of minor importance.-Very low inherent noise prevents the masking of filigree sound structures. The depth of the acoustic can be heard more clearly too.-High linearity of the transducers minimises the signal distortions and ensures the transparency of the sound even at high sound levels.-The frequency response extends to 50 kHz, thus improving the resolution for complex acoustic details.-Stable pick-up patterns minimise sound distortion in the direct and diffuse field.-Negative acoustic effects caused by the housing and the sound inlet basket are minimised.-The small, slim design and the optionally dark housing design (Nextel) make it visually unobtrusive.What's in the Box : MKH 800 TWIN studio condenser microphone MZQ 80 microphone clamp MZS80 shock mount AC 20 adaptor cable (1 x XLR-5 socket to 2 x XLR-3 connector) User manual Aluminium transport case

The super-cardioid MKH 50 offers a higher attenuation of diffusefield and lateral sound than the cardioid microphone. It is principally designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. The directional characteristics are frequency-independent.-High rejection of lateral sounds-Exceptionally low inherent self-noise-Transformerless and fully floating balanced output-Symmetrical transducer technology ensures extremely low distortion-Switchable roll-off filter to compensate for proximity effects at a distance of approx. 0.5 m-Switchable pre-attenuation-Black, anodised light metal bodyWhat's in the Box : 1 MKH 50, 1 MZS 40 shock mount, 1 MZW 41 windshield 1 Easy release clamp MZQ 40 Case 340x125x60

Its omni-directional pick-up pattern makes the MKH 8020 the ideal main mic for “spaced pair” and “Decca Tree” recordings or the use in an OSS “Jecklin Disk“ array. Especially in acoustically favorable ambiences this excellent microphone unfolds its outstanding quality. With a wide frequency response, which reaches deep down to 10 Hz the MKH 8020 is a perfect choice for capturing instruments like organ, grand piano or double bass in all their natural beauty. Furthermore, its capsule design is optimized for an extraordinarily even directional diagram.-Omni-directional pick-up pattern-Modular design-Wide frequency response: 10 – 60,000 Hz-Extremely low distortion-Extremely low inherent self-noise-Very even directional diagram -Non-reflective Nextel® coating-Ideal for stereo and surround recordings, as an M microphone, and for ambience-Timbrally identical with the other 8000-series microphones for optimum aural compatibilityWhat's in the Box : Microphone head MKHC 8020 XLR module MZX 8000 Microphone clip MZQ 8000 Windshield MZW 8000 User manual Transport case

The symmetrical transducer design of the MKH 30 produces an unusually wide and smooth frequency response. It is particularly suited to soloists and small instrumental groups and can also serve as an 'S' microphone in MS stereo applications. As a support microphone it is particularly useful in the effective suppression of sounds from adjacent sound sources.-High rejection of lateral sounds-Exceptionally low inherent self-noise-Symmetrical transducer technology ensures extremely low distortion-Transformerless and fully floating balanced output-Switchable roll-off filter to compensate for proximity effects at a distance of approx. 0.5 m-Switchable pre-attenuation-Black, anodised light metal bodyWhat's in the Box : 1 MKH 30 1 MZS 80 shock mount 1 MZW 41 windshield

The MKH 416 is a short shotgun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications.-Increased directivity due to interference tube principle-Very low inherent self-noise-High sensitivity-Transformerless and fully floating balanced output-Rugged, suitable for adverse climatic conditions-Matt black all-metal bodyWhat's in the Box : 1 MKH 416 P 48 U 3 1 MZW 415 windshield 1 MZQ 100 microphone clamp

Microphone module with capacitor technology. With high presence and feedback rejection, it is ideally suited to vocals and speech transmission. Compatible with all handheld transmitters from the ew G3, ew G4, D1, AVX, SpeechSeries Digital Wireless and 2000 series.

The MKH 418 S is an M-S stereo shotgun microphone. Its M-S format, compact dimensions, very good consonant clarity and good spatial representation make it ideally suited for every type of application in film, radio, television and reporting, both indoors and outdoors.-Increased directivity due to interference system (M)-Very low noise-High sensitivity-Symmetrically ungrounded output without repeater-Convincing spatial representation-Universal application due to M-S format-Sturdy and very weather-resistant-Full metal casing, matt blackWhat's in the Box : 1 MKH 418 S

-Patent Design Lavalier Microphone-Mini Light Weight Portable-Computer/ Smartphone Mic-Amazing Sound Quality-Condenser High SensitivityGM89 Plax Prpfessional lavalier lapel microphoneProfessional lavalier lapel Omnidirectional microphone for recording Yotube/interview ideo conference/podcast oicce dictation/IphoneLavalier microphone take sound recording quality to next levelMircophone has quality ,reliability and protection from extraneous noiseDurable, lightweight design

Sennheiser's unrivaled experience in the fields of acoustics and stage technology is evident when listening to this large-diaphragm, true condenser capsule. Its powerful, high-definition sound makes it one of the best microphone heads of all time. Due to its dual-membrane technology, the pick-up pattern can be easily switched between cardioid and super-cardioid for extreme versatility. Compatible with all hand-held transmitters from the ew G3, 2000 as well as the Digital 9000 series, it can be installed in seconds without tools.

Sennheiser's unrivaled experience in the fields of acoustics and stage technology is evident when listening to this large-diaphragm, true condenser capsule. Its powerful, high-definition sound makes it one of the best microphone heads of all time. Due to its dual-membrane technology, the pick-up pattern can be easily switched between cardioid and super-cardioid for extreme versatility. Compatible with all hand-held transmitters from the ew G3, 2000 as well as the Digital 9000 series, it can be installed in seconds without tools.

The ZM-380-AS is an uniquely shaped and high-quality condenser microphone designed for use in lecture halls, houses of worship and paging applications. This product is equipped with selectable power option between battery or phantom power. The ZM-380-AS is definitely an easy "plug-and-play" gooseneck microphone.

The AM-1B is a high sound quality microphone system that features automatic adjustment capability in a slim configuration. Composed of an array microphone connected to a separate control unit, it is ideal for installations and use on lecterns. The array microphone unit's eight internal microphones detect and track the location of the sound source, picking up audio clearly and without interruption, allowing speakers to conduct presentations more naturally without worrying about the location of the microphone. In addition, setup of operation can be performed Rusing an iPad or PC browser. The control unit can be mounted in an EIA Standard rack with the use of optional rack-mounting brackets. (1-unit size)